This is not Pei Wende’s guess, but because a huge plaque stands impressively at the door of the house at the end-Chang ‘an Hundred Arts Troupe!
Today, the Tang Dynasty is no better than the 21st century with convenient transportation and emancipated mind.
It is a last resort to leave one’s hometown, and one may choose to go to extremes rather than leave one’s hometown.
Because in this era, leaving home is equivalent to dying in a foreign land, and grandchildren will always return to their roots.
What’s more, this group of "performance groups" is not as simple as simply leaving their hometown. They drifted from Wan Li, not far from the prosperous capital of Chang’ an, to this hinterland.
If there is nothing hidden in this, Pei Wende won’t believe it even if he is killed.
Good Pei Wende is not so much, because his eyes have been attracted by those performances in the alley at the moment.
Compared with those performances in the depths of the acrobatic alleys outside, it is more artistic and more pleasing to the eye.
From the simplest chant to a slightly gaudy drama repertoire to acrobatic sword dancing with considerable technical content …
Pei Wende even saw puppet performances similar to the shadow play and puppet show of future generations from those large courtyards, which really amazed him that he had never seen the world in his life.
"It’s a pity that there is still no chest broken stone and monkey play …"
After a short wonder, Pei Wende habitually vomited a sentence.
Then he turned his attention to the courtyard with the most traffic and the most crowded people in this street.
Different from those entertainers in Qianjie who sing Yingying Yanyan and Chunhua Qiuyue.
The gate of the courtyard was wide open and guarded. In the middle of the courtyard, there was a woman with tight eyes and a veil sitting quietly in the middle of the courtyard.
This woman is not necessarily more beautiful than later artificial beauties.
But her harmonious and elegant temperament is not comparable to those mass-produced stars in later generations.
It’s like saying that a flash in the pan is a flash in the pan, and that feeling of being beautiful and fragile at the same time makes women feel like porcelain.
And the audience around this woman is obviously not comparable to those ordinary villagers who are watching outside.
The overall quiet atmosphere in the courtyard surrounded by dignitaries dressed in brocade is completely different from the noise outside.
Looking into the distance, Pei Wende could vaguely see a stooped page passing through the stage and then handing the five-string pipa in his hand to the woman.
"Huh?"
I don’t know if Pei Wende is under the illusion that the woman took the pipa instantly and Pei Wende suddenly felt a harmonious and subtle aura.
It’s as if women and their musical instruments are naturally a whole and indispensable to each other.
So far, Pei Wende has seen similar feelings in meditation and meditation.
Even our master elder brother Hui Ji, who is proficient in Buddhism and gifted, can’t compare with that woman to some extent.
"People piano one? Happy to enter the road? "
After thinking for a long time, Pei Wende felt that the word "enlightenment" was the only way to make this beautiful woman feel for herself.
"My body was lucky enough to come to your place this time …"
"Today, I present a song" Going into the Wine "by the violet layman."
Just when Pei Wende wondered if he was under illusion, the pipa girl finally lifted her veil and began to play the first song tonight.
The people in the field, or most of the gentry and nobles in the field, came because of this woman.
This is a famous prostitute actress from Chang ‘an, a beautiful woman who used to be a pilgrim and sigh.
If it weren’t for luck, I’m afraid it would be difficult for a generation to witness the beautiful face and melody.
Now I have the opportunity to see Fang, and it is rare for these gentry and nobles to show that they have nodded and then raised their glasses to drink.
"Don’t you see the Yellow River coming to entering the ocean, never to return every day?"
The melodious female melody line with melodious voice is almost perfectly integrated, and an exaggerated but unobtrusive tone sends out emotional words from Li Taibai.
However, for a moment, this extreme sigh became a sad female tune, which fully mobilized the emotions of all listeners.
"Don’t you see the high hall mirror sad and white-haired though silken-black at morning, have changed by night to snow?"
In two extreme female tunes and Li Bai’s poems, the artistic conception is far from each other
The connection between the two is so natural and harmonious that people like Pei Wende who don’t know music can understand the emotional flow of the player.